Cry CEO, WarnerBros. CEO Desperate Because He Cannot Make Money With New Culturally Aligned Productions

David Zavslav WarnerBros Discovery (desperate) CEO

 

The Jews of Hollywood are desperate after the arrest of Harvey Weinstein: it was clear that no lobby would protect them if they disobeyed the gay and trans and artificial "Black Supremacy" leftwing lobby, the one that wants Blacks, Trans, fat and Gays as protagonists of the new movies as till 20 or 5 years ago the Whites and straight cocky guys used to be. But it doesn't work the same, as Harvey Weinstein tried to disobey (and rightly so) he was arrested and sent to jail by those very women, like Mimi Haley - who had to change name after the trial - who were his advocates, his friends, his lawyers, the ones who defended him when other women attacked him or when actors had something to say about him, they were the witches as much as Harvey was the devil, the nuns if Harvey was the priest. To have him jailed for the testimony of a woman like Mimi Haley when all Hollywood knew the relationship she had to him, the woman who had publicly praised him and defended him for years was a hard selling but it was sold the same and so quickly the other CEOs swallowed the stone and understood. It wasn't difficult to understand.

But now they are desperate: even willing to obey, they just can't make money with the new agenda: if they stay "aligned" to the new cultural directives, the movie is a flop - and btw who gives them, these directives? -. Me I am embarrassed at one detail at least: the Blacks are put in the same basket with gays, transgenders and even lame and fat people, but isn't this the sign that they consider blackness a sign of inferiority? A physical defect? Why Blacks go with gays and gays go with fat people? Ask them, but as much as you and I may find this embarrassing, I have to say it, because the Left actually does this, and asked this to the Hollywood producers.

First they tried to make a new toned down virility culture with an improbable "Cry Macho" movie no one wanted to see produced by and starring Clint Eastwood at the and of the line, 







then a "Lovecraft Country" where the protagonists are all Blacks and Browns fighting White Supremacy & Demons (sic) in the fifties, I quote from Wikipedia: "Atticus Freeman joins up with his friend Letitia and his Uncle George to embark on a road trip across 1950s Jim Crow America in search of his missing father. This begins a struggle to survive and overcome both the racist terrors of white America and the terrifying monsters that could be ripped from a Lovecraft paperback"

and the production was closed after the first season, now they're kinda looking for content but with this level censorship on one side (what must not be in the movie, for ex a good white guy) or "cultural directives" and "what must-be in the movies" on the other side, there's no successful content. 

sad MK-Ultra imageries for Black people instead of the usual Britney type white "satanic" mysterious "abused or bitchy?" girl 


Black little girl scared/terrified at white cops - it's rather ridiculous but it's like this

It looks like the demons are there to try and entertain in a movie where there's no fun.

the entertaining demon

the non white supremacist protagonists of this sort of Twilight for the BLM Era

I'd like to know whether Hollywood, the WB, thought it could sell this to the white American audience it insults or if it was meant for the black audience only. Experts may say white people had no problems in watching regularly The Jeffersons or Spike Lee's movies where they were actually all or almost all Blacks, but this production kind of sucks and it is openly anti-Whites.

Before I copy & Paste the New York Post article, I give him an advise, yes I give an advice to David Zavslav & his Co, get in contact with the Heritage Foundation and help the Republican Party take over, you're toast otherwise, Cry CEO. (And we're talking about the Warner Bros....)

Warner Bros. owner unhappy over deal with ‘Star Wars’ director J.J. Abrams: report

Warner Bros.’ new corporate parent is reportedly unhappy with the returns from the Hollywood studio’s mega-deal with production company Bad Robot, which is helmed by blockbuster director J.J. Abrams.

Abrams, known for directing movies like “Star Wars: The Force Awakens” and creating shows like “Alias,” inked a $250 million overall deal for Bad Robot with Warner Bros. in September 2019. But Bad Robot hasn’t made much content for HBO, HBO Max, or the movie studio since. 

David Zaslav, the boss of the studio’s newly formed parent WarnerBros. Discovery, is “frustrated by the lack of output” and he’s scrutinizing the lofty $200 million-plus budget for Bad Robot’s upcoming sci-fi drama “Demimonde,” which has been in development since 2018, according to The Hollywood Reporter.

Since taking the helm in April, Zaslav has put all of the studio’s overall deals under the microscope as he looks to slash $3 billion from the newly merged Warner Bros. Discovery.

David Zaslav
WarnerBros. Discovery CEO David Zaslav is trimming the fat at his company and evaluating current production deals, much to the dismay of Hollwyood.
Getty Images for Discovery

Recently, the CEO blasted studio execs for green lighting “Cry Macho,” a Clint Eastwood flop, which grossed a little more than $15.5 million worldwide — despite a reported budget of $33 million. The studio bosses said they made the film because they felt indebted to Eastwood because of the string of hits that he had delivered over his 50-year career with the studio.

Unimpressed, Zaslav reportedly quoted a famous line from the 1996 Tom Cruise hit film “Jerry Maguire.

“It’s not show friends, it’s show business,” Zaslav told them.

Jurnee Smollett, Michael Kenneth Williams, and Jonathan Majors in Lovecraft Country
Jurnee Smollett, Michael Kenneth Williams, and Jonathan Majors in “Lovecraft Country,” which was co-produced by Bad Robot. 
IMDB/Bad Robot/HBO

“Demimonde,” starring “Station Eleven” actress Danielle Deadwyler, is being produced for HBO, but Zaslav and top brass are irked by the sky-high budget, which is less than HBO’s budget for its upcoming “Game of Thrones” prequel “House of the Dragon,” which is less than $200 million. 

A decision on whether the “Demimonde” will move forward is expected to come this week, the publication said.

DC Comics, home to “The Suicide Squad” and “Joker,” has also come under review at the company, the report said, adding that there’s some “frustration” that Abrams has “laid claim to a number of DC characters but has yet to get anything on the air.”

John Boyega and Daisy Ridley in Star Wars: Episode VII - The Force Awakens (2015)
Abrams is known for directing a slew of films, including “Star Wars: The Force Awakens.”
IMDB/ Disney – 2015 Lucasfilm

Sources said the media giant has seen scripts for DC”s “Constantine” and the pilot of “Madame X,” which will be produced by Abrams. 

But the lack of content to HBO and HBO Max has created a bottleneck for both the premium cable network and streamer, make it hard to plan for budgets for marketing and other things. Multiple Bad Robot projects for the company do not have delivery plans. 

In 2020, Bad Robot executive produced “Lovecraft Country,” which only lasted one season, but not much else has come to fruition. Currently, Abrams has a slew of projects in the works under its rich deal with WarnerBros. Discovery, including an animated adult “Batman” series, a thriller called “Subject to Change” and “Duster,” a crime drama. 

Bad Robot logo
Abrams’ company Bad Robot is currently developing a slew of projects for rival studios and streamers, including a new “Star Trek” movie for Paramount Global.

Abrams is also is busy with projects for rivals, including a U2 scripted series that the studio is producing for Netflix, and Apple’s “Presumed Innocent” from prolific writer David E. Kelly. 

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P.S.

One day we'll understand who takes the decisions in the NWO. Almost all of them look like they "have to" obey, no matter how much money they've got.